Season
Season 9 Episode
- Season 0 Battle of the Giants!
- Season 0 My Brother and I
- Season 0 The Love of Three Oranges
- Season 0 Jonathan Ross Salutes Dad's Army
- Season 0 Comedy Connections - Dad's Army
- Season 0 A Life on the Box - Arthur Lowe
- Season 0 Dad's Army In Colour – Room At The Bottom
- Season 0 The Movie
- Season 0 Don't Panic! The 'Dad's Army' Story
- Season 0 Missing Presumed Wiped
- Season 0 We are the Boys: Arnold Ridley
- Season 0 The Unforgettable Arthur Lowe
- Season 0 We are the Boys: James Beck
- Season 0 We are the Boys: John Laurie
- Season 0 We are the Boys: John Le Mesurier
- Season 0 We are the Boys: Arthur Lowe
- Season 0 We are the Boys: Clive Dunn
- Season 0 We are the Boys: Ian Lavender
- Season 0 Selection Box
- Season 0 Resisting the Aggressor Down the Ages
- Season 0 Broadcast to Empire
- Season 0 The Passing Years
- Season 0 The Cornish Floral Dance
- Season 0 The Coward Revue
- Season 0 The Pelican Crossing
- Season 0 The Stage Show
- Season 0 On Tour With The Cast
- Season 0 Blue Peter Art Competition
- Season 0 Blue Peter Item On Jones' Van
- Season 0 Christmas Night With The Stars (1970)
- Season 0 John Le Mesurier - It's All Been Rather Lovely
- Season 0 Battle Of The Giants - Tower View
- Season 0 Nationwide preview of Dad's Army - The Stage Show
- Season 0 The Pelican Crossing (Road Safety Film)
Dad's Army - Season 0 Episode 7 Dad's Army In Colour – Room At The Bottom
7.45 30 minutes The episode was originally recorded in colour. However, in the Sixties and Seventies the BBC would sometimes wipe and re-use the master tapes once the programme had been aired. Film copies of the master tapes were often made of programmes prior to being wiped, but the recordings were only made in black and white.
Thanks to the development of new Colour Recovery technology, the preservation team within BBC Archive have been able to bring a new lease of life to specific archive content, and this Dad's Army episode is the first programme to have its colour recovered.
Colour Recovery relies on the particular manner in which these film recordings were made, and hails from the Colour Recovery Working Group, an independent group which has been working on the development the technology – the idea for which was conceived over a decade ago.
