Vivian Bartsch

When breaking into an electronics warehouse, a member of a young gang is injured and left behind by his companions.

Her mother in Kenya, 13-year-old Melanie spends her summer vacation at a strict diet camp set in the Austrian countryside. Between workouts and nutrition classes, pillow fights and first cigarettes, she falls in love with a doctor 40 years her senior.

Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?

One day seventeen-year-old Alma sees her father who had left the family five years before and had never contacted them since then accidentally on a subway stop in Berlin. She finds out where he works and start spending time together. Very soon the feelings they have for each other extend a normal father-daughter basis and they erotically attract each other.

Ana and Nicolae, a young Romanian couple, travel by bus from Bucharest to Vienna with the prospect of making quick money by handing over a stolen car. As soon as they arrive, however, they are reassured that the car is not yet ready for them. Ana then wants to go back to Romania, Nicolae would rather travel further west. They are stuck penniless in Vienna.

A revealing and devastating portrait of a trio of aspiring real-life Viennese models. Vivian will stop at nothing to be a magazine cover girl. Lisa fills her time with routine plastic surgery and cocaine binges, while innocent Tanja focuses on the mystical through tarot cards, yoga, and raw animal energy.

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

After false reports of his demise put him and his work on the map, an artist decides to continue the charade by posing as his own brother. Soon, a reporter enters his life and has a profound effect on him.

Bella is in a dilemma: She lives with her ex Martin and her new boyfriend Sebastian in a shared flat. Neither does she dare to pour Martin pure wine, nor to quit. Just when Bella has come to an end to the secrecy, a bad news arrives by phone: Two very good, mutual friends of Bella and Martin have been fatally injured. They leave Tom, a two-year-old boy. Bella does not hesitate: Martin and her will take care of the boy. But how should that work in the WG? And what about Bella's relationship with Sebastian?